Mi Cocina x Ruth Asawa

Asawa believed art and community were inseparable.

Mi Cocina x Ruth Asawa

She knew that creativity isn't something that can be rushed.

Mi Cocina x Ruth Asawa

It builds slowly, with intention, with time, with experience, and alongside others.

Mi Cocina x Ruth Asawa

"An artist is not special. An artist is an ordinary person who can take ordinary things and make them special.”

- Ruth Asawa

Art in the everyday.

Often photographed in denim aprons, Asawa lived with a deep devotion to craft. Her work was not separate from daily life, but woven through it: cooking for her family, tending her garden, teaching children, supporting artists, and helping shape the creative life of San Francisco.

A plant has its own rhythm.

Her garden was another studio, and a way of teaching patience, observation, and care. Growth could not be forced. It had to be tended, cared for, and waited for.

Asawa’s Ethos

  • Process

    Process

    Both Ruth Asawa and Mi Cocina begin with material, repetition, and touch. The work reveals itself through making: slowly, attentively, and by hand.

  • Daily Use

    Daily Use

    Asawa did not separate art from living. Cooking, gardening, teaching, and working were part of the same creative practice.

  • Community

    Community

    Her legacy is rooted in San Francisco, in education, public art, and the belief that creativity belongs in shared spaces.

Mi Cocina presents: The BMC Collection

The BMC Collection translates Ruth Asawa’s Untitled (SF.091), 1952 into three useful forms: a compact tote, a generous carryall, and a limited frame bag.

Each piece is crafted by hand in California, hand stitched, hammered, and made from raw denim that will soften, fade, and become more personal with use. The repetition of the BMC motif echoes Asawa’s own practice: returning to a form again and again, refining through patience, touch, and care.

Limited Edition BMC Frame Bag Sign-up

We created a special version of our BMC Frame Bag reserved for 25 people who sign up to join the project at the McAteer Campus Community Farm on Sept 26th. If you are selected and the three hours of service are complete, there will be the opportunity to purchase and leave with one of the limited edition pieces. These bags can only be earned this way: by showing up and contributing to the community.

All Products Made in America

Photo Credits

Ruth Asawa
Untitled (SF.018b, Sample of BMC Stamp Mattress Ticking Design - Brown), 1952, ink on fabric, 10 x 6 in.
Private Collection
Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa at Tamarind Lithography Workshop, Los Angeles, CA, 1965.
Photo by Hank Baum. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Imogen Cunningham
Ruth Asawa 3, 1957
Photo © Imogen Cunningham Trust. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa at a mural site in San Francisco, CA, c. 1974.
Photo © Imogen Cunningham Trust. Courtesy Ruth Asawa Lanier, Inc.
Ruth Asawa at her solo Capricorn Asunder Award Show exhibition, San Francisco, CA, 1976.
Photo by Bruce Sherman. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa on the deck of her San Francisco home, CA, 1980.
Photo by Bruce Sherman. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa working on a looped-wire sculpture in her San Francisco home, CA, 1976.
Photo by Allen Nomura. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa working on a looped-wire sculpture in her San Francisco home, CA, 1976.
Photo by Allen Nomura. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa drawing flowers on the deck of her San Francisco home, CA, 1990.
Photo by Bob Turner. Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa
Untitled (S.017, Hanging Miniature Open Five-Petaled Form), c. 1980
copper wire
7 x 8 1/2 x 8 1/2 in. (17.78 x 21.59 x 21.59 cm)
Private Collection
Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa
Untitled (S.020, Hanging Miniature Two Interlocking, Three-Layered Spheres), c. 1978
copper wire
16 x 9 x 9 in. (40.64 x 22.86 x 22.86 cm);
crate 25 x 19 x 19 inches (63.5 x 48.26 x 48.26 cm.)
Private Collection
Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Ruth Asawa
Untitled (S.084, Hanging Single-Lobed, Five-Layered Continuous Form within a Form), c. 1962
copper wire
14 x 18 1/4 x 18 1/4 in. (35.56 x 46.36 x 46.36 cm)
Private Collection
Artwork © 2026 Ruth Asawa Lanier, Inc., Courtesy David Zwirner